It took 32 years for singing-ventriloquist Terry Fator to get recognition and become the $1 million winner of America’s Got Talent show on NBC-TV. Today (TUES) MGM Mirage executives will confirm our Friday exclusive that they’ve signed him to a five-year $100 million deal for him to take over from Danny Gans at his own Terry Fator Theater as of next Feb. 14. When Terry won a series of occasional Hilton appearances after his TV victory I got to chat with him about his plans to eventually buy a Vegas home and headquarter here.


RL: How was it toiling in the trenches unrecognized for 32 years, doing a TV show that was “talent questionable” by many people and then finding instant stardom on the top of marquees in Vegas? Your life turned around in 32 seconds after 32 years on the road.
TF: It did; It is the most amazing feeling. Imagine that you have had a craft for 32 years and then suddenly every dream that you have ever had, comes true. It only ever happens in movies. That emotion you get when the hero gets what he wants, that is exactly how it feels; it is surreal. To see myself on a billboard is amazing.
RL: When you were out slogging in the trenches you made a good living, but had you given up on elusive stardom and decided just to be a journeyman?
TF: I really had, I had come to the conclusion when I was 38, about four years ago, I looked at my life and I thought ‘you know what no one is ever going to care about a 40-year-old ventriloquist, so I guess that dream is over, but at least I get to do what I enjoy.’ I look forward to getting onstage. I was making a living; I was able to support my family, so I decided I wanted to be the best for myself and the people onstage. It is funny when they told me I was going to talk to you, I used to watch your show and I never dreamed I would be a rich and famous. I am so happy. I can’t put into words to get all the things I dreamed of since I was ten. I would not trade all those years for anything.
RL: Was it grim three decades struggling?
TF: It was; it was hard and frustrating. I would call my wife and say ‘honey I am so tired of this,’ they would put me out on a stage at 3 p.m. and there were a few times I almost had a heat stroke. I would call my wife and say ‘this is horrible,’ she would say, ‘do you want to get another job’ and I would say I like my job. But there were a few times I didn’t know how much longer I could do it.
RL: Was the act the same as you would do at 3 in the afternoon that you did on America’s Got Talent?
TF: Yes. I made the decision when I was 16 that if there was even one person in the audience I would give them every bit of myself. I said I would give them 100 percent of my energy and focus. I think it is that commitment to quality that I was able to get on AGT. It was the nerve racking experience of my life, and not look nervous because it was what I did every single day. I was able to put the preparation that I had done before hand get out there and do it, despite my knees shaking.
RL: Now you are a talented man in terms of being a singing impressionist. Why did you want to do it with the dolls? How do you overcome the fact that ventriloquism is thought of as the stepchild of show business?
TF: It was something that I grew to love as a child. I decided at 15 I wanted to be the best in the world and at 16 I would watch some that were way before my time like Paul WInchell and I decided that I wanted to be one of those people that when they talked about ventriloquism they would say Terry Fator. It was always something I loved to do. I started doing the impressions. I never knew I was an impressionist till my late 20’s. I just always thought if someone were to learn a song, they should learn it as the original. Someone had to tell me that. I was doing the impressions and I was doing the ventriloquism, but I wasn’t doing them together, and about three years ago my manager had said, “do you think you could do the two together and have the puppet do the impression?” So that night I had my puppet do “Friends in Low Places.” My manager came up and said that was so wild, we have to have every puppet doing impressions. So I put it in. I spent a lot of time writing new routines with puppets doing impressions.
RL: It is like talking to yourself; to you they must come alive sometimes.
TF: What is amazing about it is that I spent many years trying to make myself comfortable with this puppet that was across there and that was the hardest thing. It is a puppet and it was uncomfortable. I would spend hours and hours with these puppets and familiarize myself with talking to them I would say things and have them answer. I never crossed the line between reality and fantasy. They are always puppets. But if I can convince you that I think they are real, then within 2-3 seconds you will believe they are real. That is the trick. It is an illusion. I create life out of wood and felt. It is a great feeling; it is an illusion. We all know they are not really floating, but if they can convince you they believe they are floating, then you believe they are floating. It is a trick and doing the impressions, it is one thing to do them as a singer, it is another to have a gift to be able to do world-class ventriloquism and to be able to do the two, I don’t know if there is another person that can. It has been an amazing experience, and when I went on America’s Got Talent everyone liked it too. When I first went on I thought the way everyone felt about ventriloquism would override all I was doing and there was no way I could win the show. I said it from the beginning; there is no way I could win. America got it. I am so happy they got it.
RL: That proves the point about the characters out of the trunk becoming real. Fellow Strip headliner Ronn Lucas has been a big friend and supporter.
TF: He is a friend and a huge supporter. He is an important part of my past. I saw him perform and thought okay that is how good a ventriloquist can be. That was how good I wanted to be. I don’t think you can be better than Ronn Lucas because he is as good as it gets but I made it my goal to be at least as good as he is. I feel like I have accomplished that goal and Ronn is a fan and I am a fan of his. We love to talk business and then just hang out. He is a great guy.
RL: So you have talked about moving to Vegas and using it as a base for your travels.
TF: It will happen. We have a house in the Dallas area, but a Vegas home is going to happen in the upcoming months. Within the year we will have a house here. I have always loved Vegas and it has been my dream to see my name up in lights. Six or seven years ago it intensified, I was telling my wife ‘you don’t know how much I want to go to Vegas and see my name on a billboard in Vegas,’ and four years ago I thought it is not going to happen, but I realize that happens when you give up the dream and start doing it for the real reason, a lot of times the dreams come true. Luck has a lot to do with preparation. By simply focusing on my art and craft I prepared myself for when the luck came. I wouldn’t trade those years for anything, without that I would not have been prepared.
RL: Have you shrugged off those years of toiling in the trenches? How has your life changed?
TF: That is one of the best questions I have ever been asked, and I will say a whole lot. Sometimes I would do shows ankle deep in mud at a rodeo arena and I would have mud everywhere and I would have to clean the puppets. The worst one, it’s a true story: Less than a year ago I did a show for just one 12-year-old boy. I was at a fair and it started to rain and they had said it is a 1,000-seat arena and we are going to have everyone come in. One kid came in. I did a show for one kid. He loved it; I did a good show. Fifteen minutes into the show the custodians come in and start folding the chairs up while I am on stage, they should have brought out the hook. I gave the kid a CD and a DVD and a picture and said thanks for being my audience and of course now 150 kids have said I was that kid. When I knew I was going to be on America’s Got Talent I said even if I become famous I am going to continue to do these crappy shows, once I don’t have to do the show I realize I can’t do it anymore.
RL: I think you deserve it. You are obviously enjoying your run of dates here in Vegas, more to come?
TF: I am looking for a permanent home in Vegas in a showroom where I play for years. I would love to get off the road and say Vegas is home. I get up, do the show, and go back home. I know it is going to happen. Right now I am having a good time. I am doing the one weekend a month thing at the Hilton and I am setting up shows all over the country but my dream is to be home in Vegas, get up and do the show and then go back home.
RL: Well may all your dreams come true after 32 years of not coming true.
TF: It is so strange that it has happened. When you work for it like I have you appreciate it more.